A story of a girl who came from a village to get stardom in the fashion
industry. What happens next when she is surrounded by obstacles?
Storyline
Five girls - Mayuri, Nazneen, Sharon, Nandita and Paroma - from different regions of India have been selected to pose on the cover of India's most prestigious annual calendar, which is a collaboration between a business tycoon Rishabh Kukreja and his photographer friend, Timmy Sen. The movie is a voyeuristic peek into what happens behind-the-scenes and what happens after success and fame are attained.User Reviews
The
movie begins with five very different woman from Rohtak, Kolkata,
Hyderabad, London and Goa, all selected as models for a calendar,
setting off for Mauritius for their photo shoot. The calendar here is
based on the real life Kingfisher Calendar, with Suhel Seth doing a
pretty good job playing industrialist Vijay Mallya. After the titles, we
follow the lives of the five girls as they try to make their careers
after. Though it's not half as good as Page 3 or Fashion, Calendar Girls
has its moments. Director Madhur Bhandarkar is at his best when he does
an insider's take on what it takes to succeed in the big bad world of
Bollywood. Those parts are genuinely amusing and I found myself laughing
out loud at times. However, there are parts he gets serious and maudlin
and that doesn't work at all. Like the most regressive Hindi film, he
would have the Calendar Girl-turned-Escort Girl act all unhappy and
remorseful, though her clients are mostly shown to be silly old men who
seem to treat her well. With five stories running parallel (and briefly
intersecting when one of the girls get married) it's hard to get bored
while watching this film. The cast consists almost entirely of unknowns,
except for veteran Kiran Kumar, who is excellent in his role as the
tycoon, sternly explaining to his daughter in law that unfaithful
husbands are part of the grand tradition of corporate India
("parampara"). But in the end, one gets the feeling that Bhandarkar
himself didn't take the making of this film too seriously. He plays
himself in the film, always a bad sign. The role is substantial, more
than just a cameo. Calender Girls borrows heavily from real life (match
fixing, right wing protests against Pakistani artists) which works well
and gives the whole thing some authenticity.
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